Production Audio
A great final mix starts at the very beginning of production. If care is taken and clean audio is captured on set, the amount of work needed in post is greatly reduced. That’s why I use pre-production breakdown sheets and intentional boom mic techniques to ensure the projects I work on have every piece of the auditory puzzle.
Projects Worked On
Green Bean (2025) - Dir. Viktoria Crawford
Pretend I’m Someone You Care About (2025) - Dir. Kira Compton
Awake at Dawn (2025) - Dir. Kade Leavell
Rhinestone Cowgirl (2025) - Dir. Khalif Stolden
Leftovers (2025) - Dir. Viktoria Crawford
Treefort at Boise State (2025) - Dir. Shannon Kelly
Alpha Sigma Die (2025) - Dir. Hayden Roach
R.E.M. (2025) - Dir. Maddi Trammell
Twin Flame (2025) - Dir. Jaeojah Hunter
Sloppy Joe (2025) - Dir. Justin Buss
Sihyeon's Summer Day (2025) - Dir. Yeajoon Cho
Dragged (2024) - Dir. Claire Cunningham
Heirlooms (2024) - Dir. Richard St. Ofle
Broncos Go Vote! (2024) - Dir. Jacob Cabral & Ella Jacobson
Mankind (2024) - Dir. Jake Ronnow
Step on it! (2024) - Dir. Frosty Biggs
Melody of Contradictions (2024) - Dir. Paris Boddie
Distant Family (2024) - Dir. Max Smith
Out (2024) - Dir. Amanda Benningfield and Asher McMurren
Carnations (2023) - Dir. Lauren Moody
The Hardest Part (2023) - Dir. Justin Buss
Sometimes, I Wish I Was A Fish (2023) - Dir. Yeajoon Cho
Running Late (2023) - Dir. Justin Buss